

If you already know profiles backward and forward, use the graphic as a handy reminder. Match your workflow against it to look for areas of improvement.įor each part of the graphic, there’s an explanatory section further in this blog article.

This downloadable graphic shows the best choices to preserve color at every step of a photographer’s color profile workflow. This will be more visible on you own display, when you download this file and test it yourself, as offered later in this blog post. The sRGB profile makes the file appear darker and muddy. The images at the top of this post show the same photo, with an incorrect (sRGB) profile at top, and the correct (AdobeRGB) profile embedded below. You can always throw color away later in the workflow, but once it’s gone, you can’t put it back. Getting the best color means being greedy for color at every step of the workflow, making sure to get the maximum color from each device. By default, they’re set to lowest common denominator standards, which means photographers using these defaults may get adequate color, but not nearly the best they could get with a little bit of profile mastery. Profiles are set automatically by cameras, operating systems, software, and printers.

